October 7, 2007  Des Moines

Psalm 137

If We Forget

         I had recommended to the young couple that they reconsider the idea.  They had planned an outdoor setting for their wedding and had carefully thought their way through from where the various attendants would process, exactly how much music would need to be recorded, and what actions would take place during which song.  But it was the unity candle I was concerned about – the unity candle which, as you recall, actually involves three candles. 

As is often the plan, the mothers were to light the two side candles at the beginning of the service, and later, after the vows and the exchange of rings, the bride and groom would use those two lighted candles to ignite the larger, central candle.  The ritual action is intended to graphically represent with flames what is implicitly occurring with the people:  two individuals, from separate places and different families; two individuals whose priorities and accountabilities have, heretofore, been their own now creating something bright and alive between them.  It is to be a covenanted union built on romance, to be sure, but even more importantly on the promise of fidelity and mutuality that undergird it.  The “I” remains, but it is now joined in equal intensity and guiding importance by a “we.”

            It is a powerful comprehension that lies at the core of what it means to be married, and while there are no doubt many ways to dramatically represent it, candles are as good as any.  My concern, I suspect you can already anticipate, was that they were planning to do all this outdoors.  The “outdoors” usually involves some measure of breeze, and candles and breezes just typically don't come together in a very satisfying way.  “Have you thought about the wind?” I tried to gently ask.  A blown out unity candle, after all, rather makes for a negative symbol, it seemed to me. 

            But I began to get the idea that the candles were less about “symbol” than they were about decoration and ceremonial drama.  The unity candle, in other words, had become, in the thinking of these two, just one of those things you are “supposed to do” in the course of a wedding -- like ending with a kiss and throwing the bouquet at the reception.  What the candles are supposed to be “about” was less significant than just having them included.  “Never mind the wind.  We are having a wedding!”

            And “have a wedding” we did – outdoors, with candles that remained lit about as long as it took the mothers to be seated after lighting them. 

            But the unity candle is not the only symbolic element of weddings whose substance I worry gets too often forgotten.  The wedding ring, I fear, is too often simply a gift of jewelry rather than the constant reminder, in the thick as well as the thin of married life, of a love that is willed and not merely felt; of promises made and publicly – even divinely – attested. 

The truth is, as a pastor I have come to have something of a love/hate relationship with weddings.  Don't get me wrong; I'm in favor of them.  But I loathe officiating at those whose motions are perfunctory; whose actions are ceremonial; and whose values are principally aesthetic – where the most important questions are “Is the aisle runner straight?” and “Do the flowers match the bridesmaids' dresses” and “Does the gown appropriately highlight the bride's tattoo?”  You know:  the really important stuff. 

            They aren't all like that, of course.  I have participated in many wonderful nuptials – more than once getting choked up from the emotional and spiritual power of what was taking place between two people only inches away from me; often swelling with the joy of happy promises and the deep affection positively sparking the air in the chancel or the living room or the park.  But there have also been those times I've wanted to turn around and simply leave out the back door – or worse, throw up at the hollow trivialization of the ceremony that as far as those gathered were concerned merely represented the necessary perfunctories to get out of the way before the party could begin. 

            The problem certainly isn't confined to weddings.  How many people in the football stadiums on Friday night or Saturday afternoon gave much thought to the words they may or may not have been singing when they stood for the National Anthem?  Assuming you can remember the words to the Pledge of Allegiance, have you given much thought to them lately – beyond the two controversial ones, “under God”?  Or when we are singing Amazing Grace, are we simply singing a favorite, traditional song, or are we, indeed, humbly professing our gratitude for a love beyond our imagining, let alone our deserving? 

            In all these examples, just to ask it more succinctly, are we performing something that has two dimensions, or three?  Or to lay my cards completely on the table, there is something important, I believe, about remembering why we do certain things – remembering what's inside of the familiar patterns and practices and words and songs. 

            It's often true that we remember such values most dramatically when we see someone abusing them – like burning a flag or spray-painting a swastika on the wall of the synagogue – or simply appropriating them with disregard, as just another souvenir.  Think Native American artifacts or team mascots; think cross necklaces or cartoons of the prophet Mohammad.  They are not just stones and strings and words and shapes, after all; they aren't mere lines on a page – at least for those who hold them as somehow sacred.  For them they are windows into meaning and identity, memory and experience, history and even heaven, itself; and to walk on them like garbage, or play with them as toys wounds the hearts of those who hold them significant. 

            That sort of wound lies at the heart of the Psalm we read together.  The 137th is one of the few Psalms that includes significant clues as to the historical setting in which it was written.  In 587 B.C.E., the Babylonian army overran the city of Jerusalem, destroying the Temple and carrying into exile many of the people of Israel.  This agonizing and eventually vengeful Psalm affords a glimpse into the spirit of those exiled Jews.  In the words of Robert Alter’s new translation, the psalmist reports that:

By Babylon's streams,

            there we sat, oh we wept,

                        when we recalled Zion.

On the poplars there

            we hung up our lyres.

For there our captors had asked of us

            words of song.

And our plunderers – rejoicing:

            “Sing us from Zion's songs.”  [1]

            Think of those songs as something like our hymns, and what it would feel like for someone who neither knew nor respected our religious tradition – and only marginally understood our language – to force us to sing them for their simple amusement.  Joyful, Joyful We Adore Thee, while they stomped their feet, danced and clapped their hands; O Sacred Head Now Wounded while they dealt their cards and swilled their beer;  Beautiful Savior or When I Survey the Wondrous Cross while they fondled our wives and leered at our children.  For the Babylonians in the Psalm they were simply delightful ditties; for the Hebrews forced to perform them they were sacred songs that meant something special.  To the Babylonians the songs were entertainment; for the Hebrews they were prayer – trivialized by the Babylonians' desire. [2]

                        How can we sing a song of the Lord

            on foreign soil?

Should I forget you, Jerusalem,

            may my right hand wither.

May my tongue cleave to my palate

            if I do not recall you.

            Notice how the self-invited curses related to forgetting are directly connected to the refusal to sing:  “for the right hand is needed to pluck the lyre and the tongue to sing the song.” [3]

            “Don't ask us,” the Hebrews were implicitly saying to their captors, “to use our worship for your simple entertainment.”

            Or, to bring the matter more directly to this table that occupies the central place of honor in this particular room and on this particular day celebrated as “World Communion Sunday”, “do not let us, God, say the words or go through the motions without being mindful of all the grace and promise and presence they represent.”  If the importance of respect for the religious sensibilities of others jumps out as a lesson from this prayer – and it should – let it also underscore the importance of mindful respect for our own. 

            Like reciting the words of the Lord's Prayer, we do this deed so often – gathering here every week, eating the bread, drinking the wine; chewing, swallowing, going on our way.  It's easy to make of it “routine” – like shaving in the morning or putting on makeup; like making coffee or filling the car with gas.  Habits, routines, perfunctory acts we accomplish mindlessly while in the background the news anchors rehash for us the headlines. 

            It's easy for it to become simple motions – an assemblage of words and deeds we check off and move on to the next thing without so much as a thought...

         ...of how deep can be a love;

         ...of how awe-fully high the cost of forgiveness

         ...of how willingly the price is paid;

         ...of just how hardy that little morsel of bread can actually be; and O how sweet that tiny taste of wine!

Should I forget you, beautiful savior, and all your love has done;

Should I forget not simply your love for me, but for all those within your embrace,

            may my right hand wither.

May my tongue cleave to my palate

            if I somehow fail to remember.

 

 



[1]    Robert Alter, The Book of Psalms (New York:  W.W. Norton & Co., 1997) pp. 473-5

[2]    Alter, p. 474

[3]    Ibid